The March 2025 blog post is due to be published - the topic is framed around approaches to muting your strings in your plucking hand. 

Keep it Low, 

Greg 🎶

March 2025

Learning to play the bass guitar &/or double bass is a deeply rewarding journey, but it’s not without its challenges. Choosing the right teacher can make the difference between thriving and stalling, particularly when you hit inevitable plateaus or “walls.” While online courses and YouTube videos are convenient and (relatively) low in cost, a face-to-face teacher who understands your unique needs can provide the motivation and tailored guidance to help you overcome these barriers. Here’s how to make the best choice for your learning journey.

Online Courses and YouTube style Videos

Online resources like YouTube-style vidoes and paid courses have opened up music education to anyone with an internet connection. They’re cost-effective, offer flexibility, and provide access to lessons from accomplished musicians around the globe. You can pause, rewind, and revisit content, all at your own pace. However, these tools can fall short when it comes to personalised support. Limits in customisation / differentiation might make it harder to progress when you encounter challenges. For example: posture, hand positioning, and technique are critical in learning the bass. A lecture-style video can’t quickly correct poor habits that could impede your playing or lead to discomfort and potential injury. While some online platforms include forums or communities, these might lack the personal connection and encouragement needed to push through tough moments. In my opinion, online courses and videos work best as supplementary tools rather than primary learning methods. Pair them with face-to-face lessons for the best of both worlds.

Face-to-Face Lessons

A face-to-face teacher (including online lessons) offers more than just technical instruction—they become a key partner in your learning journey. Subtle adjustments to posture, finger placement, and technique are made in real-time during face-to-face lessons. A meaningful connection like this can be transformative: Your teacher can introduce fresh approaches or exercises to keep you engaged. Knowing you as a person, not just a student, allows them to motivate you in a way no video or forum ever could. A good teacher learns about you—your musical goals, strengths, and areas for improvement. This allows them to craft lessons that are both challenging and inspiring; a supportive teacher will celebrate your progress while pushing you to achieve more.

Cost-Effective Ways to Learn Face-to-Face

For many, the cost of in-person lessons is a concern. Fortunately, there are ways to make them more affordable. Consider learning with a friend or family member. Many teachers are open to teaching small groups, reducing the cost per person. Local music schools and community centers often offer lessons at a lower cost than private instructors. Some teachers provide an initial discounted trial lesson. Use these to gauge their teaching style and compatibility with your needs.

What to Look for in a Teacher

The right teacher can make all the difference, so choose carefully. Here’s examples of what to consider:

1. Credentials and Experience: Seek teachers with formal training and professional experience in both playing and teaching.

2. Referrals: Ask for recommendations from current or past students to get a sense of the teacher’s style, reliability and effectiveness.

3. Compatibility: A good teacher-student relationship is vital. Your teacher’s personality and approach should inspire and motivate you.

4. Location and Frequency: Consistency is key to learning. Choose a teacher whose location and schedule work well with your lifestyle.

The Bottom Line

While online resources are excellent for supplemental learning, they can’t (yet?) fully replace the personalised support of a skilled and experienced teacher. The relationship you build with a teacher should help you stay motivated and overcome obstacles, ensuring steady progress. Whether through shared lessons or community programs, there are ways to make face-to-face instruction accessible. Take the time to find the right teacher, and you’ll enjoy not just learning the bass but growing as a musician.

Keep it Low, 

Greg 🎶

January 2025

For any musician or band, securing gigs is an essential step in building a career, gaining experience, and connecting with new fans. Here are some key strategies to help you book gigs, protect yourself, and establish your reputation as a reliable, professional act.

1. Avoid Playing for Free

While it might be tempting to accept unpaid gigs for exposure, remember that your time and talent have value. Free shows can diminish the perceived worth of your music and set a precedent that can be hard to reverse. Instead, negotiate fair compensation. Paid gigs not only respect your craft but also help sustain your career.

2. Build Relationships with Venue Managers

Success in the live music world is always about relationships. Get to know the people who run the venues you want to play. Building rapport with venue managers can open doors and secure repeat bookings. Respect their space, treat staff courteously, and show up on time. Your professionalism and reliability will leave a lasting impression. 

3. Use Contracts for Protection

Contracts are essential for protecting both you and the venue. A written agreement clarifies expectations, including matters such as performance length, payment, and technical needs etc. Contracts can also cover unexpected situations, such as event cancellations, ensuring you’re not left in the lurch. Use templates such as those available through unions such as the ISM, MU etc. 

4. Connect with Other Bands

If you’re interested in playing at a particular venue, start by networking with bands that already perform there. Attend their shows and introduce yourself. Many bands appreciate the support and may recommend you to venue management, making it easier to gain a booking. 

5. Create a Showreel

A professional showreel showcasing your live performance at a professional venue is crucial. This visual proof of your talent helps venue managers see the energy and professionalism you bring to the stage. If you don’t have a showreel yet, invest in one—it’s well worth it. 

6. Diversify Contact Methods

Emails can be easily overlooked, so think creatively about contacting venues. Reach out via social media, but follow-up with a letter, or, if possible, visit in person. This extra effort shows you’re serious about playing and could help you stand out from other acts. 

7. Consider Alternative Venues

Traditional venues aren’t the only places to play. Think about hosting your own event at a community hall, or consider more unconventional settings like party-boats, theme parks, seasonal events,pop-up venues, or micro-festivals. These can be unique ways to build your audience and showcase your style.

8. Act and Think Like a Pro

Professionalism is critical. Ensure your equipment is PAT tested, and that you have public liability insurance. Mention these details when applying; it reassures venues that you’re reliable and prepared. Try and build a portfolio of dep musicians to provide cover for each performer in your band to cover in case of illness, and carry spare equipment - always!

With persistence, professionalism, and networking, you can secure more gigs, grow your fanbase, and take your music career to new heights. Remember: think like a pro, act like a pro, and (hopefully) you'll be treated like one.

9. Search Gig Listings on Social Media

Social media is a valuable tool for discovering new venues and local events. Gig listings and events groups often promote venues you may not have heard of. Regularly checking these listings can help you locate up-and-coming venues and reach a fresh audience.

10. Connect with Bands on Agency Listings

If you're considering working with a booking agency, reach out to other bands on agency rosters. Talking to other artists can help you identify agencies that may be a good fit for your act, offering insight into the best ways to approach them. You might also consider setting-up your own booking agency - but that's beyond the scope of this blog today. 

Remember...

A successful band is built on teamwork, and one of the most effective ways to ensure progress is by assigning clear roles and responsibilities for gig booking and the day-to-day operations of the band. Identify each member's strengths: perhaps one person is great at social media, while another has a knack for networking with venue managers, agencies etc. By having the right people in the right roles, the process runs more smoothly, and the band can achieve more. However, be flexible—if something isn’t working, don’t hesitate to switch things up. Regularly evaluate how responsibilities are divided, and remember that everyone’s main focus is on the band’s overall success. When every member is actively contributing to the goal, you’re far more likely to book quality gigs and build a strong, professional reputation together.

Keep it Low, 

Greg 🎶

December 2024

Whether you're eyeing a career as a professional bassist or just looking to up your game, the acronym ACDC can serve as a perfect framework for the essential qualities you need to thrive in this dynamic role. Let’s break it down!

A = Adaptability

In the world of music, adaptability is key. As a bass player, you’ll encounter a wide array of genres—from rock and jazz to funk, country, and beyond. Each style comes with its unique requirements, and being able to pivot quickly is vital.

How to Cultivate Adaptability:

• Explore Different Genres: Regularly play along with different styles of music to become comfortable with varying rhythms, grooves, and techniques.

• Learn Multiple Techniques: Master fingerstyle, slap bass, and pick playing to enhance your versatility.

• Stay Open-Minded: Embrace collaboration with musicians from different backgrounds. Each experience will teach you something new.

C = Confident

Confidence is crucial for a professional bassist. It reflects in your playing, your interactions with fellow musicians, and how you present yourself on stage.

Building Confidence:

• Practice Regularly and with focus: The more you practice, the more secure you'll feel in your abilities. Focus on technique, rhythm and groove, arpeggios, and songs across genres.

• Know Your Gear and Maintain it: Familiarise yourself with your bass and effects. Understanding your equipment allows you to make quick adjustments and feel comfortable in any setting. Having fresh strings, batteries, and a well serviced and (along with back-ups) will enhance your stage confidence.

• Perform Often: Take every opportunity to play live, whether it’s open mics, jam sessions, or gigs. Experience builds confidence!

D = Dependable

Reliability is the number 1 hallmark of professionalism. As a bassist, being dependable means showing up with plenty of time to spare (early = ready, on time = late ) and being ready to contribute to the band’s success.

How to Be Dependable:

• Punctuality: Arrive at rehearsals and gigs earlier than required (typically I aim for an extra hour before gigs, and at least 30 mins before rehearsals).

• Preparation: Come prepared with your parts learned and ready to go. This not only boosts your confidence but also enhances the entire group’s performance.

• Supportive Attitude: Be willing to help out your bandmates, whether it's lending an ear during practice or assisting with gear setup.

C = Creative

Finally, creativity is what sets you apart as a bassist. It’s not just about laying down the groove; it’s about infusing your personality and flair into your playing.

Fostering Creativity:

• Experiment with Tone: Don’t be afraid to tweak your settings and effects. Explore different tones that fit the music or express your character.

• Create Unique Lines that Serve the Music: Remember to align your playing with the music's style and genre expectations—focus on serving the music rather than showcasing your ego. When appropriate, incorporate bass fills (solos etc) that enhance the music you're performing.

• Write and Collaborate: Join song writing sessions or jam with others to develop your creative voice and discover new ideas. You can also utilise apps such as iReal, Moises etc to create backing tracks to practice along to. 

Summary

Being a pro bass player involves much more than just knowing how to play your instrument. By focusing on adaptability, confidence, dependability, and creativity (ACDC), you can develop into a well-rounded musician ready to tackle any gig or jam session. Embrace these qualities, and you’ll not only enhance your skills but also enjoy a fulfilling and exciting career in music. 

Keep it Low, 

Greg 🎶

November 2024

Playing bass guitar with a plectrum (or pick) is a great addition to any bassist’s toolkit, offering a distinct tone and feel compared to fingerstyle playing. Whether you're a fingerstyle purist or just starting out with a pick, this guide will walk you through the basics of choosing the right pick and the factors that can affect your tone.

Why Use a Pick?

While many bassists primarily use fingerstyle, using a pick is highly practical in certain situations. It’s especially useful for fast, repeated rock or metal lines where precision and speed are key. A pick can also deliver a brighter, arguably more aggressive tone than fingerstyle, which is perfect for cutting through some dense mixes. Some famous pick players include legends like Carol Kaye, Sting, and Bobby Vega, who show just how much variety and tone you can achieve with a simple piece of plastic.

Factors That Affect Your Pick Tone

When playing bass with a pick, several elements contribute to your overall tone:

Technique: The way you hit the strings matters. Altering the angle of attack when you strike the strings can drastically change the sound. For example, curving your attack angle (away from 90 degrees) can emphasise the "clank" and initial bite (attack) of roundwound strings, adding more texture to your playing. You can also palm mute the strings to restrict the resonance and sustain - I will do a video on this next month. 

Pick Material: Picks come in various materials like nylon, plastic, wood, felt, and even metal. Each material has a different feel and sound. Softer materials typically create a more broader muted tone, while harder materials typically produce a brighter, more defined attack.

Pick Thickness: The thickness of the pick is crucial in determining both the feel and the tone. Thin picks for bassists (from under 0.88mm) produce a more flexible, slappy sound, while thicker picks (1mm or more) provide a stronger attack and firmer control over the strings. A 2mm pick, such as the Jim Dunlop Big Stubby I often use for groove/funk, delivers a hefty, assertive tone that's great for genres requiring a more driving and deep-routed sound.

Strings: The type of strings you're using also plays a huge role. Roundwounds, with their bright and textured surface, respond differently to picks than flatwounds, which provide a smoother, more muted tone. Experiment with various combinations to find what suits your style best.

My Advice for Beginners

If you’re new to using a pick on bass, I suggest starting with a medium-thickness pick around 0.88mm to 1mm. It provides a balanced feel between flexibility and control. Many shops will suggest going straight for a thick pick, but that might not be the best choice for everyone. Starting somewhere in the middle allows you to experiment with different techniques before settling on what works best for you.

Experimentation Is Key

I use a range of picks depending on the situation. For funk, I typically opt for a 2mm Jim Dunlop stubby pick, but for rock or metal, I’ll use something lighter or more pointed (my favorite is currently a Jim Dunlop Tortex The Wedge .88mm). Don’t be afraid to experiment with different thicknesses and materials to discover what suits your playing style. Rememer that picks do wear out over time—the tip will gradually wear down especially if you have a heavy attack. This wearing will subtly change your tone, so keep an eye on that as you play.

Final Thoughts

While I mainly play fingerstyle, using a pick can be a game-changer, adding new dimensions to your sound. It's a tool that can enhance your versatility as a player. If you’re a pick-playing newbie, watch this space for an upcoming video where I’ll go over the basics of using a pick on bass and give you tips on developing your technique.

In the meantime, check out bassists like Bobby Vega to see just how much can be achieved with a small piece of plastic and a bit of practice. Happy playing!

Keep it Low, 

Greg 🎶

October 2024

Have you ever walked into a music store or browsed an online retailer, only to find yourself inexplicably drawn to the music section? You scan the titles, your eyes lighting up at the sight of instruction books, transcriptions of legendary bass lines, and perhaps even some esoteric volumes on music theory etc. Before you know it, your shopping cart is full, and your wallet is a little lighter. You bring these books home (wait for delivery etc), excited about the endless possibilities they hold.

And then they sit on your shelf. 

Unread.

The Allure of Potential

So, why do we buy such books (and magazines) in the first place? Arguably, part of the allure lies in the potential each represents. Every publication you purchase about bass, music, or even broader musical concepts is a step toward becoming a better musician—or at least that’s the intention. You envision yourself mastering the complex grooves of Jaco Pastorius, understanding the concepts behind jazz bass solos, or finally grasping that 'elusive' double-thumbing slap bass techniques.

The problem is, buying the book is the easy part. Opening it, diving into the exercises, and dedicating hours to practice—that’s where things get tricky. The reality is that life gets in the way. Work, family, gigs, and maybe a touch of procrastination all conspire to keep those books closed.

The Comfort of Ownership

There’s also a comfort in simply owning these books - and gazing at them on your bookshelf. It’s like having a safety net—a reminder that, if you ever want to, you can improve. The books serve as a sort of symbol of your dedication to the craft, even if that dedication is more theoretical than practical. You might not have time today, but the books are there, patiently waiting for you to find the time. It’s a form of self-deception, but it’s an oddly comforting one.

The Collector’s Mentality

Let’s face it—there’s a bit of a collector in all of us. For some bassists, it’s about instruments or pedals. For others, it’s books about bass and music. Owning these books feels like you’re accumulating knowledge, even if that knowledge remains dormant. This mentality isn’t exclusive to bassists. Guitarists, drummers, and pianists etc etc; I see many musician friends who all do the same thing. Indeed, the world is probably full of musicians with impressive libraries that, if cracked open, would reveal spines that have never been bent. For me, this has not been helped by family members buying books for me as presents over the years - books are a quick and easy thing to buy, wrap up (post etc) that they know I will like. 

The Guilt Factor

Of course, with ownership comes a touch of guilt. Every time you glance at that shelf full of unread books, you might feel some sense of regret. You know you should be practicing, learning, and growing as a musician. Instead, the books gather dust. But here’s the thing: guilt isn’t necessarily a bad thing. It’s a sign that you care, that you haven’t completely given up on your musical journey.

Turning the Page (Literally)

So, what can you do to move from collector to practitioner? Start small. Pick one book, maybe the one that excites you the most or the one that seems the least intimidating. Commit to spending just ten minutes a day with it. You don’t have to finish it cover to cover; even learning a single new technique or concept can be worth the investment. Another approach is to treat your books like a buffet. Sample a bit from each one instead of feeling the need to devour an entire volume. This way, you can pick up tips, tricks, and insights without the pressure of completing a whole book.

Other Tips for Breaking the Habit

If you find yourself constantly buying books but never reading them, consider alternative ways to access these resources without the financial commitment or the guilt. Start by visiting your local library (and school / college / uni etc), where you can often find a good selection of music books and borrow them without the pressure to keep them forever. If you have a bass teacher, ask if they have any books you can borrow, or even better, get their recommendations on the most essential ones to focus on. If you don't have a teacher, try asking on forums such as www.basschat.co.uk. They might even list a second-hand book that interests you. Another great option is to share and swap books with fellow musicians or friends—this not only reduces your need to buy new books but also creates a sense of community and shared learning. By exploring these options, you can still gain the knowledge you’re seeking without adding more unread volumes to your shelf.

The Bass (Bottom) Line

At the end of the day, buying books and not reading them isn’t the worst thing in the world. It’s a common experience shared by many musicians. And who knows? Maybe one day, when the time is right, you’ll dust off that book, read the introduction, and finally dive into the wealth of knowledge it (might) contain. Until then, there’s no shame in being a collector. After all, the bass and music as a whole is a journey, not a destination. And sometimes, the journey includes a few intervals at the bookstore.

Keep it Low, 

Greg 🎶

September 2024

A short blog this month, but nevertheless and important topic: Being a selfless bassist.

Being a bass player is a unique and vital role in any musical ensemble, but the journey to becoming a truly selfless bassist involves much more than just playing the right notes at the right time. It requires a combination of musical competence, preparedness, equipment maintenance, and an unwavering commitment to supporting your bandmates and wider music community. Here’s a quick guide to embodying selflessness as a bassist.

1. Musical Preparedness and Competence

A selfless bass player is well-prepared and competent, ensuring that they contribute positively to every rehearsal and performance. This means:

• Practicing Regularly: Consistent practice helps you stay focused and improve your technique, ensuring you can meet the demands of any song or style.

• Learning the Material: Take the time to learn your parts thoroughly. This not only includes knowing your notes but also understanding the song’s structure, dynamics, how the parts fit together, interpretation and meaning, etc. 

• Listening Skills: Develop a keen ear for music. Listen to how your part fits into the larger context of the piece you're playing and be ready to adjust your playing to enhance the overall sound.

2. Well-Equipped and Well-Maintained Gear

Keeping your equipment in top condition is crucial for a smooth performance:

• Quality Gear: Invest in reliable instruments and equipment. A good bass, amp, strings, leads etc can make a significant difference in your sound quality.

• Regular Maintenance: Keep your gear in excellent condition by performing regular maintenance checks. Change your strings regularly, clean your bass, and ensure your amp is functioning correctly.

• Backup Plans: Always have backups, such as spare strings, batteries, and cables. Being prepared for technical issues can save a performance from disaster.

3. Supporting Your Bandmates

A selfless bass player goes beyond their musical duties to support their bandmates in practical ways:

• Helping with setup / packdown: Assist in loading and unloading equipment from the van / cars. Helping set up and pack down shows your dedication to the group effort. 

• Sensible Stage Volume: Use a sensible stage volume if you’re using amps instead of in-ear monitors (IEMs). Ensure your volume complements the band / song etc rather than overwhelms it.

• Dynamics and Expression: Think about how your playing supports the song or section. Avoid overwhelming the music with unnecessary loud dynamics - think 'timbre', rather than volume. 

4. Maintaining Practice Room and Studio Etiquette

Good etiquette in shared spaces fosters a positive environment for everyone:

• Personal Hygiene: Maintain good personal hygiene to ensure a comfortable space for everyone.

• Cleanliness: Avoid eating smelly food and drink from closed-lid vessels to prevent accidents.

• Tidy Up: Keep the practice room or studio clean and organised. This helps maintain a professional atmosphere.

5. Creating a Musical Space for Others

Selfless musicianship is about more than technical skill; it’s about emotional connection and creating a space for listeners to experience the music:

• Emotional Investment: Pour your heart and soul into each performance. Perform every note with genuine emotion and meaning.

• Audience Engagement: Think of your performance as an invitation for the audience to join you on a journey. Your goal is to create a space where they can escape and connect with the music.

6. Supporting the Music Community

Being a selfless bass player also means supporting the wider music community:

• Attend Shows: Go to other musicians' performances. Your presence supports the community and strengthens bonds between musicians.

• If there is more than one band playing, arrive early and hang-on to the very end - support others and you'd like to be supported yourself. 

• Network: Use these opportunities to network and learn from others. Building relationships within the music community can lead to future collaborations and mutual support.

• Set an Example: Your actions set an example for both peers and the audience. By being a selfless musician, you inspire others to adopt the same mindset, creating a more supportive and collaborative music scene.

Becoming a selfless bass player is a journey of continuous improvement and dedication. It’s about more than just playing your instrument well; it’s about being a reliable, supportive, and considerate member of your band and the wider music community. By embodying these principles, you not only enhance your own musical experience but also contribute to a richer, more cohesive, and inspiring musical environment for everyone involved.

Keep it Low, 

Greg 🎶

June 2024

Embarking on your journey as a bass player is an exciting step into the world of music, but choosing the right bass guitar can be a daunting task, especially for beginners or those returning to playing after a long break. With a plethora of options available in the market, it's crucial to make informed decisions that will set you up for success and enjoyment. Here are some of my essential tips to consider when selecting your first bass guitar.

Quality Over Aesthetics: While it's tempting to be swayed by flashy designs and eye-catching finishes, prioritise quality over aesthetics (the look of the instrument). Remember, you're investing in an instrument that will accompany you on your musical journey for (hopefully) years to come. It's better to select a higher quality instrument from a reputable brand, even if it means buying second-hand. 

Budget for Setup: Whether you're purchasing a new or used bass guitar, allocate a portion of your budget for professional setup (typically allow approx. £50 plus the cost of some new strings - it worth speaking to your local guitar repairer first, but ensure that they are experienced with bass guitars). A properly set-up instrument can significantly enhance playability and tone. Investing in a setup ensures that your bass guitar is adjusted to suit your playing style and preferences, allowing you to get the most out of your instrument from the start.

Try Before You Buy and Things to Watch Out For: Before making a purchase, it's essential to test out different bass guitars to find the one that feels right for you. Don't buy your first bass guitar online / unseen - enjoy visiting music stores and try various models to assess their feel, neck balance, and tone. Pay attention to how the bass guitar feels both when sitting down and standing up (using a strap), as comfort is crucial during extended playing sessions. Experiment with different playing styles and genres to ensure the bass guitar can deliver the tones you desire and need (e.g. reggae, funk, blues etc). If you're not ready to do this yourself, ask for a demonstration. Ensure that the instrument is in good working condition, especially if buying second-hand. Check for any signs of damage or malfunction (particularly truss-rod movement and response, neck twisting / warping etc) and inquire about the instrument's history, including any previous repairs or modifications.

Seek Expert Advice: Consider bringing along an experienced bass player or perhaps your bass teacher when shopping for your first bass guitar. Their insights and expertise can be invaluable in helping you make an informed decision. If you don't have someone to accompany you, don't hesitate to seek advice from online communities such as BassChat, where bass enthusiasts are eager to offer guidance and support.

Choosing your first bass guitar should be an enjoyable experience.Take your time, do your research, and most importantly, have fun exploring different options. With careful consideration and seeking expert guidance, you'll find the perfect bass guitar that inspires you to create fantastic music!

Keep it Low, 

Greg 🎶

May 2024